However, Steinberg have also delivered some very significant improvements in workflow and it’s here that I think they have been most shrewd if the very obvious potential of spectral editing is going to become mainstream, then the mechanics of the sophisticated audio editing processes involved have to be much more accessible.Įach release under Steinberg has taken incremental steps forward in this regard. These updates have added some impressive new processing capabilities to the software.
It seems like almost no time since I reviewed SpectraLayers Pro 8 (well, the November 2021 issue to be precise) but Steinberg have kept up a pretty relentless rate of development since they acquired the software from Magix.
Steinberg continue to develop SpectraLayers at a remarkable pace.
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